the following passage is excerpted from an obituary of georgia okeeffe published in the new york times…

the following passage is excerpted from an obituary of georgia okeeffe published in the new york times. select the best evidence to support the statement \georgia okeeffes work is celebrated in part for its unique color palette.\ there may be more than one correct choice.\n\nas an interpreter and manipulator of natural forms, as a strong and individual colorist and as the lyric poet of her beloved new mexico landscape, she left her mark on the history of american art and made it possible for other women to explore a new gamut of symbolic and ambiguous imagery.\n\nmiss okeeffe was strong - willed, hard - working and whimsical. she would wrap herself in a blanket and wait, shivering, in the cold dark for a sunrise to paint; would climb a ladder to see the stars from a roof, and hop around in her stockings on an enormous canvas to add final touches before all the paint dried.\n\nfrom edith evans asbury, \georgia okeeffe dead at 98; shaper of modern art in u.s.\ copyright 2009 by new york times company

the following passage is excerpted from an obituary of georgia okeeffe published in the new york times. select the best evidence to support the statement \georgia okeeffes work is celebrated in part for its unique color palette.\ there may be more than one correct choice.\n\nas an interpreter and manipulator of natural forms, as a strong and individual colorist and as the lyric poet of her beloved new mexico landscape, she left her mark on the history of american art and made it possible for other women to explore a new gamut of symbolic and ambiguous imagery.\n\nmiss okeeffe was strong - willed, hard - working and whimsical. she would wrap herself in a blanket and wait, shivering, in the cold dark for a sunrise to paint; would climb a ladder to see the stars from a roof, and hop around in her stockings on an enormous canvas to add final touches before all the paint dried.\n\nfrom edith evans asbury, \georgia okeeffe dead at 98; shaper of modern art in u.s.\ copyright 2009 by new york times company

Answer

Brief Explanations:

The statement "As an interpreter and manipulator of natural forms, as a strong and individual colorist and as the lyric poet of her beloved New Mexico landscape" directly mentions her being an individual colorist, which supports the idea that her work is celebrated for its unique color palette.

Answer:

As an interpreter and manipulator of natural forms, as a strong and individual colorist and as the lyric poet of her beloved New Mexico landscape