read the second quatrain of \sonnet 130.\ i have seen roses damaskd, red and white, but no such roses see i…

read the second quatrain of \sonnet 130.\ i have seen roses damaskd, red and white, but no such roses see i in her cheeks; and in some perfumes is there more delight than in the breath that from my mistress reeks. —\sonnet 130,\ william shakespeare how does the second quatrain further develop the central idea presented in the first quatrain? check all that apply. by continuing to praise the mistresss beauty with comparisons to nature by making additional comparisons between the mistresss appearance and nature by extending the descriptions of the mistress beyond what can be seen by adding to the descriptions with a comparison to another person by changing the description of the mistress from unfavorable to favorable

read the second quatrain of \sonnet 130.\ i have seen roses damaskd, red and white, but no such roses see i in her cheeks; and in some perfumes is there more delight than in the breath that from my mistress reeks. —\sonnet 130,\ william shakespeare how does the second quatrain further develop the central idea presented in the first quatrain? check all that apply. by continuing to praise the mistresss beauty with comparisons to nature by making additional comparisons between the mistresss appearance and nature by extending the descriptions of the mistress beyond what can be seen by adding to the descriptions with a comparison to another person by changing the description of the mistress from unfavorable to favorable

Answer

Brief Explanations:

In the second quatrain of "Sonnet 130", Shakespeare continues to compare his mistress's features to nature, like roses and perfumes, extending the descriptions beyond just visual aspects as in the first quatrain. He doesn't compare to another person or change the description from unfavorable to favorable.

Answer:

  • by continuing to praise the mistress's beauty with comparisons to nature
  • by making additional comparisons between the mistress's appearance and nature
  • by extending the descriptions of the mistress beyond what can be seen