(the women draw nearer.)\nmrs. peters (to the other woman). oh, her fruit; it did freeze. (to the lawyer)…

(the women draw nearer.)\nmrs. peters (to the other woman). oh, her fruit; it did freeze. (to the lawyer). she worried about that when it turned so cold. she said the fired go out and her jars would break.\nsheriff. well, can you beat the women! held for murder and worryin about her preserves.\ncounty attorney. i guess before were through she may have something more serious than preserves to worry about.\nhale. well, women are used to worrying over trifles. (the two women move a little closer together.)\nin a film production, where should the camera focus if the director wants to emphasize the mens emotions?\n on the womens actions\n on close - ups of the women\n on close - ups of the men\n on the characters costumes

(the women draw nearer.)\nmrs. peters (to the other woman). oh, her fruit; it did freeze. (to the lawyer). she worried about that when it turned so cold. she said the fired go out and her jars would break.\nsheriff. well, can you beat the women! held for murder and worryin about her preserves.\ncounty attorney. i guess before were through she may have something more serious than preserves to worry about.\nhale. well, women are used to worrying over trifles. (the two women move a little closer together.)\nin a film production, where should the camera focus if the director wants to emphasize the mens emotions?\n on the womens actions\n on close - ups of the women\n on close - ups of the men\n on the characters costumes

Answer

Answer:

C. on close - ups of the men

Brief Explanations:

Para enfatizar las emociones de los hombres, el enfoque de la cámara debe estar en los hombres. Close - ups son buenos para mostrar emociones.