late nineteenth - century colonialism had as its primary motivating force the need for materials and…

late nineteenth - century colonialism had as its primary motivating force the need for materials and markets. for lands to settle. for peoples to incorporate. to halt the expansion of non - western empires.\nquestion 21 1 pts the artist who wished to \redo nature after poussin,\ and whose later work anticipated twentieth - century abstract art, was cézanne. gauguin. van gogh. manet.\nquestion 22 1 pts the most important new medium in mid - nineteenth - century architecture was glass. cement. cast iron. brick.

late nineteenth - century colonialism had as its primary motivating force the need for materials and markets. for lands to settle. for peoples to incorporate. to halt the expansion of non - western empires.\nquestion 21 1 pts the artist who wished to \redo nature after poussin,\ and whose later work anticipated twentieth - century abstract art, was cézanne. gauguin. van gogh. manet.\nquestion 22 1 pts the most important new medium in mid - nineteenth - century architecture was glass. cement. cast iron. brick.

Answer

Brief Explanations:

  • For the first question, late - 19th - century colonialism was mainly driven by the need for raw materials and new markets for industrial products.
  • For the second question, Cézanne aimed to "redo nature after Poussin" and his work influenced 20th - century abstract art.
  • For the third question, in mid - 19th - century architecture, cast iron became an important new medium due to its strength and malleability.

Answer:

  • Question 1: for materials and markets.
  • Question 2: Cézanne.
  • Question 3: cast iron.